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Why Audiences of All Ages Respond to Primal Themes

By on June 9, 2017 in About the Beats, Today's Blog

e1a34bae939ff94731bfdf39e2955c57Blake Snyder always said that good ideas are primal. They’re something you could pitch to a caveman. And ideas that have themes that are inherently found in all of us—friendship, love, togetherness, loneliness, revenge—keep us going back to the movies because this is what we look for, whether we realize it or not, in all forms of narrative.

The family of Little Miss Sunshine

The family of Little Miss Sunshine

It’s why we enjoy movies like The Social Network—because the film has nothing to do with Facebook and everything to do with belonging and fitting in; The King’s Speech—nothing about stuttering and speech impediments but rather a deeper meaning of self-worth, confidence, and one’s relationship with a patriarchal figure; Whiplash—about being driven, the need to be the best, to prove others wrong, not just drumming; and Little Miss Sunshine—isn’t about creepy kid pageants, but the importance of family and working together. And the list goes on…

Master Cat Ben Frahm before his 8-hour Save the Cat! workshop at Pixelati in Mexico

Master Cat Ben Frahm before his 8-hour Save the Cat! workshop at Pixelatl in Mexico.

So then why did this question throw me: “What about kids? I write for a children’s TV show on the Cartoon Network, and how am I supposed to tell stories that are primal… when I’m writing for children—some of whom don’t even talk yet!?” The question was posed by an attendee at the Pixelatl Film Conference in Cuernevaca, Mexico, where I was giving an all-day lecture about story and structure two weeks ago. I hesitated. I honestly hadn’t thought about this. And for a good few and seemingly long beats, I had absolutely no response.

And then it came to me. I realized that kids are even greater proof that all storytelling should be primal. And instead of quoting a movie or a self-help writing text, I referenced my own experience. I have an eight-month-old beautiful, healthy baby at home. His name is Gregory, and he seems to understand primal themes quite well. He cries when Mommy leaves—separation. He smiles when food comes. Or when he’s reunited with a loved one. And he gets very, very grumpy when a desired toy is taken away.

The emotions of Inside Out

The emotions of Inside Out

Isn’t Gregory, and every baby for that matter, proof that primal feelings and experiences are in us all, at any age? And haven’t the great storytellers from Disney to Pixar always realized this? From childhood classics like Snow White and the Seven Dwarfs and 101 Dalmatians to more recent fare like Toy Story, Up, and Inside Out—and especially a film I consulted on, How to Train Your Dragon for Dreamworks Animation, these films explored themes of passivity, reclaiming, and peaceful resolution.

Even SpongeBob deals with primal emotions.

Even SpongeBob deals with primal emotions.

Even silly episodes of SpongeBob SquarePants are layered with primal experiences and keep children and adults wanting more.

"It's Not Easy Being Green" is primal to its core

“It’s Not Easy Being Green” is primal to its core.

And the lyrics of Kermit the Frog’s song “It’s Not Easy Being Green” from Sesame Street—an anthem of self-acceptance—actually hit Blake’s beats, moving from an Opening Image/Line of “It’s not that easy being green” to the Final Image/Line of “And I think it’s what I want to be.”

So, I insist, even when writing children’s tales, primal is key. Primal will make your story resonate!

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Ben Frahm

About the Author

About the Author: Master Cat! Ben Frahm is a screenwriter who was a member of Blake Snyder’s Writers Group, leads the Save the Cat!® online beat sheet screenwriting workshops and the in-person workshops in New York City, and teaches screenwriting at Ithaca College and Cornell University. Ben sold “Dr. Sensitive” to Universal, consulted on How to Train Your Dragon and has 2 produced credits in 2016: co-writer of the feature The Discreet Pleasures of Rejection for Warner Bros International and co-writer of the TV series (Des)encontros (or Mismatched) for Sony TV International. “If this is your first time selling a script, take some advice from Ben Frahm. Ben has a true gift for concept.” –– Blake Snyder, Save the Cat!® Strikes Back – More Trouble for Writers to Get Into… and Out Of .

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  1. Lisa says:

    Thank you, Ben, for your insight. Children, treated with respect, and properly understood, grow into amazing adults! JRR Tolkien recognized that children, although they can’t verbalize it, appreciate depth and intelligently told stories, something that many adults seem to forget. They don’t really like being talked down to anymore than the rest of us!
    I l

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